882 results where found for «Cancion de Chile»

Today I Sing for the Sake of Singing (Hoy canto por cantar)

Music piece by:
Nydia Caro and Riccardo Ceratto
Testimony by:
Ángeles Álvarez Cárdenas
Experience in:
Villa Grimaldi, 6 - 15 January 1975
Tags:
« At that time, many prisoners were subjected to extreme torture in the interrogations. Some managed to get through those processes alright, while others broke down. »
[...]
« Alongside all this horror, the DINA had a radio playing the latest popular music, and I was struck to hear a song by Nydia Caro, who had won the OTI Festival in 1974. It was very popular in Chile at the time. »
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The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Fernando Aravena
Experience in:
Cárcel de Santiago, 1989
Tags:
« The political prisoners organised mateadas once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
[...]
« Let’s remember that Manuel Rodríguez was the first detained-disappeared of Chile. That left a profound impression, so you sang the song with passion, with that helplessness that you feel in the face of a tragedy that you cannot resolve. »
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I Come Back (Vuelvo)

Music piece by:
Patricio Manns (lyrics) and Horacio Salinas (music)
Testimony by:
Fernando Aravena
Experience in:
Cárcel de Santiago, 1989
Tags:
« During our mateadas in the Prison of Santiago, we always talked about the song ‘Vuelvo’ (I Come Back). It gave you the hope of returning to the fight. The prison was only something temporary. »
[...]
«  (1937-) Chilean composer, poet and essayist. Founding member of the music group Karaxú. »
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The Clock (El reloj)

Music piece by:
Roberto Cantoral
Testimony by:
Ana María Arenas
Experience in:
Calle Irán Nº 3037 / Venda Sexy / La Discotheque, December 1974
Tags:
« The day I was captured, after the first torture session, I asked for permission to sing a Christmas carol, the name of which I cannot remember. I did it to let one of my captive friends know that I was also at the Venda Sexy. »
[...]
« Before being imprisoned, my friend and I rehearsed this Christmas carol in the Coro Mozart, where we sang. This choir was an amalgamation of members of the Coro de Cámara of the Universities of Chile, the Católica and the Técnica del Estado. »
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The Apparition (El aparecido)

Music piece by:
Víctor Jara
Testimony by:
Pedro Mella Contreras
Experience in:
Cárcel de Valdivia / Cárcel de Isla Teja, 1988-1989
Tags:
« When they took me out to physiotherapy treatment, I sang some verses of the song ‘The Apparition’ loudly: »
[...]
« We are survivors of a dictatorship. I am alive to recount what was taking place in that period in Chile. »
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The Dance of Those Left Behind (El baile de los que sobran)

Music piece by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
Cárcel de Santiago, 1986
Tags:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
«  Chilean radio presenter, well-known for his music programmes on Radio Minería and Radio Futuro. »
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King Ñaca Ñaca (El rey Ñaca Ñaca)

Music piece by:
Sergio Vesely
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, May - October 1975
Tags:
« During the last third of the 20th century, the concentration camps of the Chilean dictatorship were characterised by a high grade of organisation among prisoners, as well as the overflowing creativity they applied to all areas of human ingenuity. »
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The Woman from Huillinco (La Huillincana)

Music piece by:
Liborio Bórquez Guzmán, popularised by Héctor Pavez
Testimony by:
Rubén Torres Ávila
Experience in:
Cárcel de Menores Blas Cañas / Centro de Reinserción Abierto Manuel Rodríguez, 1976
Tags:
« When I was in the last year of secondary school at the Liceo 8 in Santiago, I suggested to a teacher to do an interview with a prisoner of the youth detention centre Blas Cañas. After the interview, I offered the prison’s governor to take the school’s folk group to present a show to the inmates. »
[...]
«  Music genre (usually for voice and accompaniment) and partner dance, found in Chile, Argentina and Bolivia. The cueca chilota comes from Chiloé Island, in southern Chile. »
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Song to the Pampa (Canto a la pampa)

Music piece by:
poem by Francisco Pezoa Astudillo set to music by Quilapayún
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros Cuatro Álamos, February 1975
Tags:
« The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
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Recinto: Campamento de Prisioneros, Estadio Chile (actual Estadio Víctor Jara)
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